Zen Of Design

The design and business of gaming from the perspective of an experienced developer

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On the Matter of the Blue Checkmark

If you don’t know who Milo Yiannopoulos is, you should consider yourself lucky.  I admit, I was initially fooled by his cool, cultured accent when he interviewed me for his Podcast in the early days of the debacle that would be GamerGate.  In truth, he is the Liberace of Manufactured Outrage, a bullshit merchant of the highest order.  He is also, ironically, a professional victim, adept at getting himself in trouble by being a total asshole, and then hamming it up to get clicks.

Ironically, given that he’s an e-celeb for GamerGate, he’s also a deeply inethical journalist working for Breitbart, a magazine so unethical it makes the National Enquirer look like the Wall Street Journal.

He’s also a key reason why the game industry cancer known as #GamerGate ceased to meaningfully be about game journalism or, typically, even about games at all.  Not that it was much early on, but he’s a huge part of why it veered into sheer right-wing thin-skinned outrage politics. After spending years mocking gamers as weirdos in yellowing underpants, he became a convert when he realized that GamerGate was, in fact, populated significantly by exactly the sort of toxic idiots that buy into his broken philosophy.

That philosophy is just a war on ‘political correctness’.  Of course, in an attempt to rub his stink on it, he and a couple of his colleagues tried to reclaim the tired old premise of ‘political correctness’ and rename the cause ‘cultural libertarianism’, probably because they realized that a whole bunch of kids get high, read Ayn Rand in college and think they’re libertarian before they realize that, at its core, what passes for libertarianism this day is the simple promise to try to remain an asshole as frequently as possible at all time.

He said so much in an article just before the break, where he proudly boasts about being an asshole – you know, for FREEDOM.  One thing he boasts about is getting suspended by Twitter, which required breaking the terms of service – most likely for targeted and directed harassment, but given his behavior, there is so many good reasons it could have occurred.

Despite Milo’s boasting about how awesome this is, this quickly turned sour. Twitter has a checkmark that they grant to people who are recognized celebrities – probably because they grew tired of assholes fucking with other people by pretending to be Anne Hathaway. Well, Milo had one. I say ‘had’ because Twitter apparently has a policy of removing this blue tick from anyone who breaks their terms of service, probably in an attempt to dissuade so-called celebrities from abusing their status by encouraging their followers to harass other users of twitter. Which I stress, is definitely the case here.

Anyway, Twitter took his checkmark away. I have some exclusive footage of his response.

Seriously, he’s been having a tantrum about this for a week now.

Now, I don’t know that I agree with those who say that just taking a checkmark away is going to solve anything.  It’s much more likely that this is merely a warning shot, and a first step towards a banning if he keeps doing what he’s doing.  His issue is that while he has declared that he is going to do everything in his power to be an asshole (and again, BOASTING about getting kicked off of Twitter for his efforts), then that’s going to run against the philosophy of Twitter, who has realized that their platform sucks at dealing with harassment, and that people as high as the CEO is convinced this needs to change.  It doesn’t help that Milo has a habit of taunting the people his followers decide to torment.  A couple of people have provided more insight on this tantrum, but why bother.  It’s just a tantrum.  That doesn’t stop his colleagues at Breitbart from hysterically trying to link this tempest in a teacup to a drop in Twitter’s stock price.

The funny thing is the people who still cry censorship.  It’s almost as if these self-styled libertarians don’t realize that Twitter is both a private business as well as a private publishing platform.  They have no reason to allow an abusive megalomaniac abuse their other users, nor do they have to feel compelled to give them a microphone.  Milo has made it clear that his goal is to weaponize Twitter to encourage his followers to harass, badger and terrorize people who don’t share his worldview.  Unsurprisingly, Twitter is signaling that that’s not how they want their platform to be used and perceived.

Dungeon Boss Update

The game that I’ve been working on, Dungeon Boss, has been doing quite well.  Shortly before Christmas, we added Guilds & the Tower of Pwnage to the game. Yes, I named the Tower.  These features have been getting solid reviews, and the game has been performing quite tidily.

IGN recently did a Let’s Play of the game which was pretty nice.  We also had a pretty awesome Christmas marketing video that showcased our Christmas skins.

We also get some fan reviews:

Well they said that it was addicting and they’re right. I played all day and night. Haven’t slept in months. The wife and kids left me. Played all day and lost my job. I had no money so I lost the house also. I lost everything but Dungeon Boss kept me company. After I lost my iPhone to the bank I jacked a random guy’s iPhone. Then I decided to live full time in McDonalds. Dungeon Boss has now been my life. McDonalds provided me wifi in my hard times. Well I gotta go. The court date is soon for jacking the iPhone. Adiós

“The Force Awakens” Proves Even Anti-Diversity Idiots Agree That Representation Matters

“When I was nine years old Star Trek came on. I looked at it and I went screaming through the house, ‘Come here, mum, everybody, come quick, come quick, there’s a black lady on television and she ain’t no maid!’ I knew right then and there I could be anything I wanted to be.” – Whoopi Goldberg

To me, nothing crystallizes the mantra of ‘representation matters’ quite like Whoopi’s quote about why she was so passionate about getting involved with the Next Generation. And it was echoed early in 2015, when a fetal amputee had this to say about Mad Max: Fury Road:

I am just about the biggest advocate for “representation matters” there is, but as a white woman I never really felt it applied to me all that much. Watching Fury Road, I realized how wrong I was. I’ve been this way my entire life and I’ve never felt “handicapped.” I’m disabled, yes – there’s shit I just can’t do, but an invalid I am not. For the most part I’ve always approached life with a “figure out how to do it and just get it done” attitude; I am loathe to admit I can’t do anything and I never give up without exhausting all the possibilities available to me. Watching Fury Road, I felt like I was watching my own struggle brought to life (albeit in a very fantastical setting), and I don’t think I ever realized how truly profound that could be for me.

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A Follow Up, and a Note About Anonymity

About a month ago, I wrote an article about harassment where I noted as almost a throwaway comment, that harassment has been aimed at people on both sides of the Hashtag That Shall Not Be Named. It included a link to a GamerGate girl who claimed that she had been framed by someone for sending threats to Anita Sarkeesian, resulting in a visit from the FBI.

Welp, it turns out that pretty much everything this particular person said is in question, due to this person turning out to be not who she says she is. After spending a year as one of GamerGate’s most fiercely loyal NotYourShield denizens, proclaiming frequently and loudly her lesbian bonafides and her love for the oversized bosoms found in games (even being cited by noted antifeminist hack Christina Sommers as such), she made the mistake of posting a picture of someone else’s cosplay as her own. This led to a full-on shitshow, which involved both her initial evasion, allegations of fraud, and an eventual apology.

I’m not going to dwell on the specifics of these issues because, well, they’re still emerging, and to be honest, it’s petty, vindictive drama as KiA debates whether to cannibalize one of their own.

I do want to say that this is yet another episode that proves why political movements driven by anonymity are doomed to failure. For all its talks of ethics, GamerGate is pretty much incapable of acting ethically themselves, because their anonymity and their craving for leaders or celebrities they can glom to keeps leading them unable to separate themselves from people disseminating utter bullshit and calling it reality. Remember how they claimed that Anita was lying about going to the authorities? Or how Zoe Quinn didn’t give money to the authorities? Or how secret anonymous sources claimed that notable feminists were sending threats to themselves? Remember Chihirodev? How about when King of Pol was blatantly caught trying to smear Stephen Totilo and Nick Denton fraudulently, only to be exposed by Hot Wheels?

This utter lack of ethics, honesty and basic fact-checking has been going on ever since things blew up last August, and at this point, one is left with one of two possible conclusions. Either the core adherents of GamerGate believe so ardently that the ends justify the means that they will stoop to any level of dishonesty to attempt to push forward their repugnant world view, or they have been so fully infiltrated by trolls incapable from being seperated from the ‘good’ Gators, due to the anonymity of the cause.

In either case, this episode reaffirms what game companies, the gaming media and the mainstream media have suspected for more than a year now. GamerGate devotees and their wild claims should be treated with as much credibility as they have so far earned: none at all.

SXSWhoops

SXSW isn’t supposed to be a tech conference, dammit.  From its inception, it was always meant to be a music festival, dammit, and it’s a good one.  But in recent years, it’s expanded its coverage to include movies and technology.  Being the biggest con in town, SXSW frequently gets a ton of local coverage, but usually not an above-the-fold front-page story in the Austin American Statemen describing how the conference shit the bed (electronic version).

On Wednesday night, SXSW became the latest large tech organization to not fully understand the GamerGate controversy, and therefore fundamentally screw it up.  This has been an all-too-frequent occurrence, with Intel’s $300M mea culpa being, of course, the most noteworthy example.   SXSW’s clusterfuck began  on Wednesday night, attempting to play Solomon with two GamerGate-adjacent panels on their docket, cancelling both due to security concerns.

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Mad Max: It’s All About the Thunderpoon

It is the near future.  The world has been ravaged by drought and disease, leaving the human race a broken, fragile thing.  Bands of survivors are forced to abandon their lives of luxury and ease, and fight to subsist in a land of famine, violence and constant feudal warfare.  And yet, their worst fear is the psychopathic killer who seems intent on exterminating the human race, eliminating settlements one by one, committing mass genocide in order to claim their collections of hubcaps and postcards.

You are Mad Max.  You are this psychopath.

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The Ongoing Star Citizen Silliness

Derek Smart vs. Chris Roberts.  Who will win?  I’m guessing popcorn salesmen.

I recently wrote about Derek Smart’s ongoing crusade against Star Citizen, You may remember, for example, this piece, where Derek Smart asks politely for Chris Roberts and his wife to resign the company.

Give backers the opportunity to hire an independent forensics accountant, and an executive producer, to audit the company records, and give an accurate picture of the financial health of the company, and it’s ability to complete, and deliver this project in a timely fashion. I hereby offer to foot the entire costs of this effort. And I will put up to $1m of my own money, in an escrow account of an attorney’s choosing, to be used as-needed for this exercise. [Emphasis ours.] I will pay this price to prove that I had every right to seek these answers. So this money can either go toward a good cause (righting this ship), or to attorneys who are most likely to burn it all down anyway.

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Games Are Not Movies, And Shouldn’t Try To Be

Yesterday, Polygon printed a book exerpt by Phil Owen that made what I consider to be the ultimate rookie mistake in the ‘are games art?’ discussion.  They suggested that game designers and developers are failing at art because games do not do some things as well, such as storytelling, as the movies.  While this is, in fact, true, it’s also a very silly point of view.  It’s roughly akin to saying ‘movies can’t give detailed prose as well as books can, so they fail at art!’ or ‘music doesn’t do character development the way that television does, so it fails as art!’

Each genre or medium of communication and art has its own strengths and weaknesses.  Each has elements that are true challenges for that genre, and other areas where it simply crushes other genres.  Television didn’t really succeed until it stopped trying to be radio, for example, and embraced doing visual things that it does well.  It took a while for TV to mature as well – some would argue that the genre took sixty years to mature, and didn’t fully until the advent of premium television and rise of quality serial television.  Even that was a product of the times — binge-watching on Netflix makes serial television a net positive, where in previous decades it was more likely to bewilder viewers and push them away.

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Speaking Up About Harassment

I started writing on this blog again largely because of the issue of online harassment in games.  My experience working in MMOs has long convinced me that online harassment in games is off the rails, and is a serious issue that is preventing the market from growing.  This is not a theory for me.  When I worked on UO, we more than doubled our subscribers when we started cracking down on horrible people.  Bad people drive good people away, and they know it.  They revel in it.

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Reviewing the Review of the Reviews of Mad Max

Today, Total Biscuit released a video titled ‘I will now talk about negative Mad Max reviews for just over 40 minutes‘, and whatever the hell else you can say about it, it is an accurate assessment of what he has to say.  It is also quite silly (although to be fair, I agree with much of the last 15 minutes of him rant), but still there’s a lot in this that made me quite cranky.  Here are my thoughts: 

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